高清大图局部细节 / DETAILS
作品简介
——王蒙(一三○八—一三八五年)，吴兴(今浙江湖州)人。字叔明，号黄鹤山樵，自称香光居士。赵孟頫外孙，强记力学，画从赵孟頫风韵中来，又追法唐宋诸名家，尤以董源、巨然为宗，为元四大家之一。 山峦重叠，以干笔牛毛皴皴擦，松林杂树，蓊蓊郁郁，几密不透风。高士一人，展卷于茅屋中。左上角以小篆题曰「松山书屋」，通幅画作与题识方式，均展现王蒙古拙圆浑的笔韵。此帧完成于至正九年，是王蒙四十二岁之作。
Wang Meng (style name Shu-ming and Huang-he shan-ch'iao) called himself Hsiang-Kuang chu-shih and was a native of Wu-hsing (modern Hu-chou, Chekiang). He was the maternal grandson of Chao Meng-fu (1254-1322). Wang Meng studied long and diligently, his painting style deriving from that of Chao Meng-fu. Wang also sought the methods of various T'ang (618-907) and Sung (960-1279) dynasty painters, especially the school of Tung Yuan (d. 962) and Chu-jan (f1.ca.960-980). Wang Meng became one of the Four Masters of the Yuan. Depicted in this painting are multiple ridges of piled mountains using the method of fine, dry "ox–hair" texture strokes. The luxuriant pine forests with assorted trees appear so dense that not even the wind can penetrate them. A scholar in a thatched hut can be seen opening a scroll. In the upper left corner is an inscription in small seal script which reads, "Studio in Pine-covered Mountains." The style of the painting and method of the inscription both exhibit the harmony of Wang Meng's awkwardly archaic and rounded brushwork. This painting was done in1349, when he was 41-years-old.
作者款识
松山書屋。至正九年(一三四九年)八月香光居士王蒙寫。
作者印記
王蒙印、香光居士。
印记资料
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | （一印不識） | |
| 收傳印記 | 王芝 | |
| 收傳印記 | 何印（半印） | |
| 收傳印記 | 東吳張氏朝清家藏 | |
| 收傳印記 | 東崖 | |
| 鑑藏寶璽 | 清內府印 | 石渠寶笈 |
| 鑑藏寶璽 | 宣統帝 | 宣統御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 御書房鑑藏寶 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
技法
人物衣纹描法(减笔) 、苔点 、皴法 、披麻皴、写意。
收藏著录
石渠宝笈初编(御书房)，下册，页1139
故宫书画录(卷八)，第四册，页68
故宫书画图录，第四册，页345-346
