吴镇山水画《清江春晓图》轴

吴镇字仲圭，号梅花道人、梅沙弥，浙江嘉兴人。生于至元十七年(1280)，死于至正十四年(1354)。与黄公望、倪瓒、王蒙合称元四大家。 梅花道人山水学自巨然，受巨然影响很大。本幅以长披麻的笔法皴画山石，笔力圆劲。渍染多用淡墨，清淡雅逸。画树木、屋宇、人物用笔粗壮，笔锋微秃，虽每一笔并不紧密连接，但意趣已足，也许是画法中的「意到笔不到」，并且全幅具有豪迈的气势。

Description "Hemp fiber" textured strokes define the mountains' rocks in strong and vigorous brushwork. The halcyon washes are done primarily in pale ink, lending an elegant luminous, light quality to the work. Wu has used a slightly stubbly coarse brush to depict the trees, buildings, and figures. Even though the brush strokes do not overlap, the results are quite satisfying. Perhaps this is a painting style in which "one can see more than is actually depicted." The painting possesses a commanding presence. Wu Chen (whose style name was Chung-kuei and sobriquets, Mei-hua-tao-jen and Mei-sha-mi) was from Chia-hsing in Chekiang. He was one of the "Four Great Masters" of the Yuan dynasty, along with Huang Kung-wang, Ni Tsan, and Wang Meng. In his landscapes Wu was much influenced by the Sung painter Chu-jan.

作者款识

清江春曉。梅道人戲墨。

作者印記

梅花盦、嘉興吳鎮仲圭書畫記。

題跋

董其昌詩塘草書：梅花道人畫巨軸絕少。此幅氣韻生動。布置古雅。大類巨然。非王蒙所能夢見也。董其昌藏并鑒定。

技法

皴法、披麻皴。

印记资料