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明钱谷画锺馗轴

明钱谷画锺馗轴

钱谷 / 台北故宫博物院

钱谷明代人物画树枝佛道人物

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文件大小:44.69 MB

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作品名称:明钱谷画锺馗轴

作品作者:钱谷

创作时间:明代 / 明穆宗隆庆一年(1567年)

原作尺寸:本幅105.9x30.9厘米

作品材质:纸本

收藏位置:台北故宫博物院

明钱谷画锺馗轴

高清大图局部细节 / DETAILS

明钱谷画锺馗轴局部 (1)
明钱谷画锺馗轴局部 (2)
明钱谷画锺馗轴局部 (3)
明钱谷画锺馗轴局部 (4)
明钱谷画锺馗轴局部 (5)
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作品简介

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钱谷(1508-1578年),江苏长州人,字叔宝,自号磬室。少孤失学,及长游学文徵明门下,始得读书,并兼习绘事。山水、兰、竹俱能。 本幅绘锺馗执笏独步寒林,旧传锺馗本唐德宗时之武举魁首,因貌丑见斥,自刎身亡,德宗后悔莫及,封为驱魔大神。是后,锺馗辟鬼之说益趋流行,民间每于岁暮暨端午悬其像,以祛邪魅。钱谷此作,设色浅淡,别饶逸气,则又与民间图像相迳庭矣。

Ch’ien Ku (style name Shu-pao; sobriquet Ch’ing-shih was) a native of Wu County (present Soochow) in Kiangsu. Orphaned and uneducated, Ch’ien began to read and study painting only after he went to become a pupil of Wen Cheng-ming. Ch’ien excelled at painting landscapes, orchids, and bamboo. According to legend, Chung K’uei was the leading general under the T’ang dynasty emperor Te-tsung (r. 780-804). Te-tsung, however, once ridiculed Chung K’uei for his ugliness, for which the general slit his own throat and committed suicide. Regretting his irrevocable act, the emperor posthumously enfeoffed Chung K’uei as a demon-quelling deity. The story of Chung K’uei the Great Ghost-tamer later became extremely popular among the people, who hung up his image at mid-year and year’s end to keep away evil spirits. This intriguing, delicately colored potrayal of Chung K’uei by Ch’ien Ku differs from popular renditions of the god; here he walks alone in a wintry forest, holding a tablet.

作者款识

隆慶改元(一五六七年)冬十月。錢榖寫。

印記:錢氏叔寶。

題跋

周天球行楷書:有唐名進士。隸本終南籍。雙目烱如星。鬚髯奮如戟。浩氣淩斗牛。精誠貫金石。直節人所欽。英風鬼所惕。執笏步寒林。魑魅自辟易。萬曆癸卯冬日。周天球題。

印記:周氏公瑕。

技法

人物衣纹描法(粗细线条) 、写意。

收藏著录

石渠宝笈三编﹝乾清宫﹞,第二册,页571

故宫书画录﹝卷五﹞,第三册,页404

故宫书画图录,第八册,页103-104

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